1
Cut
We look at the object in the window before anyone books a light.
The plot is shared between stills and motion from the first recce. Colour sits in pre-production, not after picture lock. Finishing is not a stranger at the end of the job, and the archive is named so another team can open it a year later.
We look at the object in the window before anyone books a light.
One key for the still and the short film, so they cut together.
Selects the same afternoon, while the cloth still sits as it was.
Cool paper whites. The orange of a stone stays the orange it is.
Masters for the buyer book, the site and a thirty-second cut.